Saturday, 05 October 2024

Arts & Life

MIDDLETOWN, Calif. – Middletown’s monthly summer “Movies in the Park” will host the film “Coco” on Saturday, July 14.

The movie, suitable for the whole family, will be held beginning at dusk in the park in front of the Middletown Senior Center and Library, 21256 Washington St.

The film is are free and open to the public.

Bring blankets and chairs.

The remaining summer movie lineup includes “Peter Rabbit” on Saturday, Aug. 11, and “Breaking Legs” on Saturday, Sept. 8.

Ted Kooser. Photo credit: UNL Publications and Photography.

Jehanne Dubrow's most recent book is Dots & Dashes, from Southern Illinois University Press.

Her husband is a naval officer and she's written some very fine poetry about military life.

Here's a poem that plays upon the unlikely intersection of weaponry and chocolate.

Jehanne Dubrow lives and works in Texas.

From the Pentagon

He brings me chocolate from the Pentagon,
dark chocolates shaped like tanks and fighter jets,
milk chocolate tomahawks, a bonbon
like a kirsch grenade, mint chocolate bayonets.
He brings me chocolate ships, a submarine
descending in a chocolate sea, a drone
unmanned and filled with hazelnut praline.
He brings me cocoa powder, like chocolate blown
to bits. Or chocolate squares of pepper heat.
Or if perhaps we've fought, he brings a box
of truffles home, missiles of semisweet
dissolving on the tongue. He brings me Glocks
and chocolate mines, a tiny transport plane,
a bomb that looks delicious in its cellophane.


American Life in Poetry does not accept unsolicited manuscripts. It is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2017 by Jehanne Dubrow, "From the Pentagon," from Dots & Dashes, (Southern Illlinois University Press, 2017). Poem reprinted by permission of Jehanne Dubrow and the publisher. Introduction copyright ©2018 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

Johnny Rawls. Courtesy photo.

LAKEPORT, Calif. – The next Lake County Fire Benefit will take place from 4 to 7 p.m. Sunday, July 8, at the Soper Reese Theatre, 275 S. Main St., Lakeport.

Headliner for the event is Johnny Rawls, an award-winning soul blues singer, songwriter and guitarist from Mississippi who tours year round.

His roots are solidly planted in soul and blues traditions built on his associations with Joe Tex, Little Johnny Taylor, O.V. Wright, Little Milton, Bobby Bland and B.B. King.

In recent years, Elvin Bishop, Kenny Neal, Marcia Ball, Wee Willie Walker and Nancy Wright have teamed up with Rawls at music festivals and the highly popular Blues Cruises.

Joining Rawls for the July 8 concert are three top-level blues musicians from Northern California: Matt Silva on guitar, Donny Mederos on bass and Rasheed on drums.

Proceeds will go to Hope City to purchase supplies to rebuild homes lost in Lake County fires. Hope City is the local project of the disaster relief agency Hope Crisis Response Network. More information is available at www.hcrn.info .

Locally made wine has been donated by Don Angel Cellars, Kaz Winery and Mt. Konocti Wines. Beer offerings include a pale ale donated by O'Meara Brothers or Coors Light. Soda, water and snacks will be available for purchase as well.

Bring your extra cash for the silent auction and raffle! Auction items include jewelry, a soap basket, picnic backpack, wine, gift certificates and a wine tasting.

The raffle prize is four table seats, with wine and treats, to the next Lake County Fire Benefit at the Soper Reese Theatre on Saturday, Sept. 15 with The Funky Godfather, a 10-piece band that plays James Brown hits. Proceeds from the raffle will go to the NCO Pawnee Fire Fund.

All seats are reserved and dancing is welcome.

Tickets cost $30 for table seats, $20 for center loge, $15 for the side loge. To purchase tickets online visit www.soperreesetheatre.com; in person from 8 a.m. to 5 p.m. Monday through Friday at The Travel Center, 1265 S. Main St., Lakeport; or by phone at 707-263-3095.

Tickets will also be available at the Soper Reese Theatre box office starting at 2 p.m. before the concert on Sunday.

This is the 11th fire benefit concert produced by Spotlight On Productions in partnership with The Time Bank of Thrive Lake County. Event updates are on Facebook: Lake County Fire Recovery Benefits. For questions call 707-278-7126.



ANT-MAN AND THE WASP (Rated PG-13)

More consistently funny than the average superhero adventure, “Ant-Man and the Wasp,” the sequel to “Ant-Man” and less so to “Captain America: Civil War,” thrives on the everyman heroics of flawed superhero Scott Lang (Paul Lang) when he dons the costume.

Having survived an incident in Germany, Lang, now under house arrest and monitored by the watchful eye of FBI agent Jimmy Woo (Randall Park), tries to run his X-Con security firm while tending to his young daughter Cassie (Abby Ryder Fortson).

The fact that Lang would rather be a slacker honing his magic skills and playing the drums irritates his estranged mentor Dr. Hank Pym (Michael Douglas) and former flame Hope van Dyne, aka The Wasp, (Evangeline Lilly).

Nevertheless, Dr. Pym is in need of Lang’s Ant-Man services to tinker with a contraption that could propel him to the Quantum Realm where it is believed his long-missing wife Janet (Michelle Pfeiffer) could be rescued under the proper conditions.

To make this happen, Lang relies on his wise-cracking partner Luis (Michael Pena) and assorted ex-felons at his security business, as well as a measure of good luck, to run interference that would allow him to outwit the federal agents eager to send him back to prison.

Naturally, huge obstacles await the return of Ant-Man working on an invaluable asset that is coveted by slick arms dealer Sonny Burch (Walton Goggins) and his deadly goons as well as by the mysterious Ava, aka Ghost, (Hannah John-Kamen), who needs quantum energy to survive.

Complicating matters even more is that Dr. Pym and Hope are fugitives wanted by the FBI. Meanwhile, Bill Foster (Laurence Fishburne), a former colleague of Pym’s who harbors old animosities to his past partner, acts as the protective guardian for Ghost.

The challenge for Lang and his reluctant partners is to stay steps ahead of the law, the criminal thugs and a vengeful Ghost, while working from a miniaturized building that they must alternately guard and later retrieve from their adversaries.

The high stakes of completing the mission to rescue Janet by perfecting a Quantum Tunnel that would travel to a sub-atomic world beyond our own while keeping adversaries at bay leads to plenty of high-energy car chases and fight scenes that contain strong elements of comedic pleasures.

“Ant-Man and the Wasp” may not be considered in the top ranks of superhero films, but it is plenty of fun, which is reasonable to expect when Paul Rudd is so good at bringing his comedic talents to the forefront. This is a film to be enjoyed as good summer entertainment.



‘SHARP OBJECTS’ ON HBO

“Sharp Objects,” the first novel by Gillian Flynn, perhaps best-known for “Gone Girl,” has been adapted into an eight-episode Southern gothic psychological crime series for HBO with an assist from the author.

Camille Preaker (a stellar Amy Adams), an alcoholic with a dark history of self-mutilation, is a crime reporter for the St. Louis Chronicle who is assigned by her editor Curry (Miguel Sandoval) to cover a disturbing story of a murder and disappearance of another teen in a small town.

The town is Wind Gap, Missouri, which looks like a ghost town except for the ubiquitous presence of a trio of roller-skating teen girls and the Chief of Police (Matt Craven) cruising the streets, and it’s where Camille was raised by overbearing mother Adora (Patricia Clarkson).

Camille’s return to her hometown does not make her the prodigal daughter in the eyes of her family. Adora, given to cutting remarks, complains that Camille arrives unannounced only to probe with “horrible, morbid questions, stirring everyone up.”

What appears disturbing to Adora is that Camille arrives as the big city investigator, prompting her to say “I am happy you’re here, but don’t embarrass me – not again.” Camille’s entire visit is destined to be fraught with tension.

The stepfather, Alan Crellin (Henry Czerny), is so detached he spends much of his time fiddling with an expensive sound system. Camille’s half-sister Amma (Eliza Scanlen), a precocious 15-year-old, smartly plays the good-girl role while coyly hiding her wild, rebellious streak.

Flashbacks to the death of Camille’s little sister Marian remain a haunting memory that recurs all the time. What unfolds in “Sharp Objects” is a character study above all else that probes the dysfunctional nature of the family and the inhabitants of a stratified community.

As the inquisitive, hard-drinking reporter, Camille’s comfort zone is found in hanging out in the town’s lone dive bar and driving around swigging vodka from water bottles. Interaction with the local authorities proves to be less comfortable.

The police chief is less than thrilled to be saddled with the unwanted help of young Kansas City detective Richard Willis (Chris Messina), who in turn appears to be equally entranced and annoyed by Camille’s involvement.

“Sharp Objects,” more than a murder mystery, is most often a slow-moving journey through the genesis of Camille’s tortured self-loathing and destructive behavior. It requires patience for the viewer that could pay off.

Tim Riley writes film and television reviews for Lake County News.



JURASSIC WORLD: FALLEN KINGDOM (Rated PG-13)

Three years ago the theme park and luxury resort that was “Jurassic World” on Isla Nublar was destroyed by dinosaurs out of containment.

“Jurassic World: Fallen Kingdom” brings the main players back to the island that now resembles a post-apocalyptic vision.

The “Jurassic World” sequel explores the motivations of various players, some for good but others for shady reasons, who return to the abandoned island off the coast of Costa Rica when the dormant volcano threatens to blow everything to bits.

Only briefly, Jeff Goldblum returns as Dr. Malcolm, warning Congress that Mother Nature charts her own course and saving prehistoric beasts from extinction may not be wise. The thought of “I told you so” may come to mind later, probably even more so in an inevitable sequel.

Meanwhile, former park manager Claire Dearing (Bryce Dallas Howard) travels to an isolated forested area where the reclusive raptor-whisperer Owen Grady (Chris Pratt) is building his own cabin overlooking a scenic vista.

Having evolved into an animal-rights activist fixed on the previously extinct variety, Claire is very much aware that the prehistoric creatures need to be relocated to a new sanctuary, for which the details seem to be a little hazy.

Once romantically-linked to the Indiana Jones-type explorer, Claire now appeals to Owen’s deep connection to the velociraptor named Blue that he had nurtured from a hatchling and trained to show empathy to match its innate intelligence.

The former partner of the now-deceased John Hammond, the eccentric dying tycoon Benedict Lockwood (James Cromwell), runs his empire out of a creepy, gothic mansion, which has a massive subterranean lab and holding cells being used by corrupt geneticist Dr. Henry Wu (BD Wong).

Lockwood’s precocious 10-year-old granddaughter Maisie (Isabella Sermon), lives at the estate under the care of her nanny, Iris (Geraldine Chaplin). She becomes a pivotal character in learning bad things are happening that her incapacitated grandfather would not approve.

The right-hand man in charge of Lockwood’s affairs, Eli Mills (Rafe Spall) recruits Claire and Owen to corral the dinosaurs and assorted beasts in an expedition to transport them to a private reserve. Like many others, Mills probably has a scheme up his sleeve.

The operation itself requires a lot of resources and manpower, which end up being overseen by ruthless mercenary Ken Wheatley (Ted Levine) using trigger-happy goons to fulfill his own secret agenda.

Besides Claire and Owen, the only decent folks on the rescue effort are offbeat veterinarian Dr. Zia Rodriguez (Daniella Pineda) and hacker Franklin Webb (Justice Smith), a tech nerd nervously uncomfortable with the multiple dangers lurking in the jungle.

Having been lead astray by the malignant desires of Lockwood’s people, the group of four plucky heroes take on the herculean task of trying to thwart the venal Wheatley’s greedy schemes to cash in on a huge payday.

There’s plenty of great action on the island, from Owen desperately rescuing Claire and Franklin from a gyroscope sinking into the ocean to dodging fast-moving lava to the perils of interactions with the dinosaurs. It’s the formula that has worked before.

Added twists come in the form of double-crosses and the revelations of sinister motivations that infect everybody except the intrepid heroes and the smart little girl fending mostly for herself at the Lockwood estate.

Working out of the cavernous basement of the Lockwood gothic mansion, Dr. Wu, the mad scientist, has gone rogue with his unholy tampering with dinosaur DNA to create the genetically monstrosity known as the Indoraptor.

This creature is deadly not only because of its size but also due intelligence, speed and ability to follow orders when properly inclined. Dr. Wu has created the perfect weapon and the Lockwood’s underground lair is turned into an auction house for nefarious buyers.

The astute moviegoer should know that in a movie like this the best laid plans of malevolent schemers could easily go awry when the gutsy band of heroes assisted by Maisie throw a wrench into the works.

Does this “Jurassic World” have a message? If it does, everyone would pay heed to Dr. Malcolm’s admonitions. The takeaway is that you don’t fool with nature, but even a grade-schooler would likely know that.

If not for those on a dangerous undertaking, the lava oozing all over Isla Nublar would have lead to the extinction of a species that died out millions of years ago for a reason. But then you’d have a short film with dinosaurs bursting into flames.

The guilty pleasure of “Jurassic World” is seeing a bunch of bad people getting the poetic, if not brutal and savage, justice of learning the hard way not to mess with altering vicious beasts for their own self-serving exploitation.

Despite it all, the draw of “Jurassic World: Fallen Kingdom” is seeing the dynamic action of beasts rampaging through the island with lava at their backs, posing threats to humans and busting loose from cages in a vicious stampede. In that regard, this could be the payoff.

Tim Riley writes film and television reviews for Lake County News.

Evolutionary Blues... West Oakland's Music Legacy Trailer from KTOP TV-10 on Vimeo.

LOWER LAKE, Calif. – Join Lake County Community Radio for the only Lake County screening of the powerful film documentary, “Evolutionary Blues: West Oakland’s Music Legacy.”

The film will be shown only on Friday, July 13, at 5:30 p.m., in the Lower Lake Schoolhouse Museum, 16435 Main St.

The film is based on evidence revealed in the book, “The Warmth of Other Suns” by Pulitzer Prize-winning journalist, Isabel Wilkerson.

The great migration of six million black Americans from the Jim Crow South to the urban centers of the West Coast, Midwest and East Coast oversaw disparate, yet similar musical trends that followed the inhabitants to their destinations.

This film traces the development of the West Coast Blues; specifically, the blues that evolved on postwar Seventh Street in Oakland.

The cast includes over 30 people including Bay Area musicians Alabama Mike, D’wayne Wiggins, The Dynamic Miss Faye Carol, Freddie Hughes, Fantastic Negrito, John Turk, Wylie Trass, Lenny Williams, Lady Bianca, Marvin Holmes, Ricky Vincent, Bob Geddins, Jr., Sugar Pie DeSanto and author Isabel Wilkerson.

The soundtrack includes music from Big Mama Thornton, Fantastic Negrito, Sugar Pie DeSanto, L.C. “Good Rockin’” Robinson, Lowell Fulson, Jimmy McCracklin, T-Bone Walker, Johnny Talbot & De Thangs, Omar Sharriff, Marvin Holmes, Sonny Rhodes and Jimmy Reed.

The film also sports stunning archival still and video footage from public and private sources.

Immediately following the screening will be a Q & A featuring the film’s Director, Cheryl Fabio, and writer, T. Watts. Refreshments will be served.

This event is a benefit for KPFZ, Lake County Community Radio. Tickets are $12.50 for KPFZ members and $15 for non-members. They can be purchased at Watershed Books, 305 N. Main Street in Lakeport, or the studios of KPFZ 149 N. Main Street in Lakeport.

For more information, call 707-365-5503 or 707-995-3565.

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