Saturday, 05 October 2024

Arts & Life

Ted Kooser. Photo credit: UNL Publications and Photography.


This column originates from the University of Nebraska in Lincoln, and a half-hour's drive south there's a creek with flat stones on its floor where wagons passed down and over the muddy bottom, up the other bank, and on west to Oregon.

Here's a poem about that great migration, by Kim Lozano, a poet from St. Louis.

The Ruts

Most have been plowed up or paved over
but you can still find them, tracks cut
deep into the earth by prairie schooners
crossing that great green ocean, pitching
waves of pasture out where there's nothing
else to do but live. Concealing their detritus—
a piece of sun-bleached buffalo skull, a button
from a cavalry soldier's coat—the ruts wind
their way beneath leafy suburban streets, lie
buried under a Phillips 66 and the corner
of a Pizza Hut where a couple sits slumped
in their booth. Yet here and there, like a fish
head breaking the surface of the water, they
emerge in a school teacher's back yard or a
farmer's field, evidence of wagons packed
with hardtack and hard money, thousands of
draft animals tended by traders with blistered
feet, their journey both bleak and romantic.
That's the kind of proof I like, a scar I can put
my hand to, history that will dust my fingers
with a little bit of suffering, a little bit of bone.


American Life in Poetry does not accept unsolicited manuscripts. It is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2017 by Kim Lozano, "The Ruts," from Third Coast, (Spring, 2017). Poem reprinted by permission of Kim Lozano and the publisher. Introduction copyright ©2018 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

Soil collected to make handmade pastels. Photo by Channing Rudd.

MIDDLETOWN, Calif. – The Middletown Art Center’s Restore Project features a pastel making workshop this Saturday, Oct. 20, from 1 to 5 p.m.

Adults and children age 12 and up are invited to make their own pastels from a range of colors of earth pigments sourced from Lake County’s beautiful hills, as well as traditional art pigments.

Participants are encouraged to bring clay earth from their own environment in a 16- or 32-ounce container to enrich the palette of colors available.

Please register in advance for this class at www.middletownartcenter.org/restore, email This email address is being protected from spambots. You need JavaScript enabled to view it. or call 707-809-8118. Space is limited and reservations are required.

“Making art from dirt has its beginnings as far as our species has been around,” said workshop Instructor Channing Rudd. “Humans have always used local materials for painting on cave walls, our bodies, and even burying the dead. This class will delve deeply into the various aspects of making pastels using our local clay soils in the process … From dirt to art.”

Rudd grew up in New York and received his BFA at Syracuse University. He studied under the renowned Bauhaus professor Peter Piening, friend of painters Maholy-Nagy and Paul Klee. Primarily a plein air artist, Rudd moved to Lake County in 1980 and has taught art at Woodland College Clearlake Campus since 1994.

The Restore Project provides Lake County residents with low-cost art classes and the opportunity to learn or refine skills in a variety of materials techniques. Classes take place most Saturdays through May 2019.

Fall and winter classes include clay, woodworking, metalworking, felting, concrete, dry point, block printing and more. Late winter and spring classes will focus on personal and collaborative projects, studio time, mentoring and guidance to create personal and group work.

On Saturday, Oct. 27, Nicholas Hay will lead a dry point etching class. On Sunday, Nov. 4, the Restore Project features an introduction to natural woodworking with Marcus Maria Jung from 11 a.m. to 5:30 p.m.

The Restore project was made possible with support from the California Arts Council, a state agency, with additional support from local organizations, businesses, and individuals. Visit www.ca.arts.gov to learn more about the California Arts Council’s important work in communities and schools throughout California.

The Middletown Art Center is located at 21456 State Highway 175 at the junction of Highway 29.

Handmade pastels. Photo by Channing Rudd.

UKIAH, Calif. – The Mendocino College Art Gallery is pleased to announce “Changing Minds in the Age of Changing Climate,” an interactive art installation by artist, designer and educator Purin Panichphant.

A traditional opening of the art show will be held on Thursday, Oct. 18, from 4 to 6 p.m. and a gala reception with the artist will take place before the Theater Department’s performance of “Museum” on Friday, Oct. 26, from 5 to 7 p.m.

The opening reception is free and tickets for “Museum” can be purchased at the box office.

In this hands-on exhibit, viewers are invited to “self-educate” through their interaction with eight pieces of Panichphant’s artwork.

As the name suggests, the content of the show deals with our changing climate by viewing it from a new and fresh approach.

Panichphant calls upon viewers to experience what change looks like through image based puzzles and simple group participation technological tools.

As the artist puts it: “Through my art, I create canvases for my audiences to play and build on the ideas of one another – to take a pause from the world of ‘ugh!’ (and lift it) to ‘aha!’ Art is no longer constrained to canvases or sculptures, but rather makes use of dynamic and interactive elements that engage the audience’s senses.”

Gallery hours are Tuesdays and Thursday from 12:20 to 2 p.m., and Wednesdays from 12:30 to 4:30 p.m.

For more information, please contact the Gallery 707-468-4500, which is located at the main Ukiah campus of Mendocino College at 1000 Hensley Creek Road, Ukiah.



BAD TIMES AT THE EL ROYALE (Rated R)

Contemporary film noir thrillers would normally be the province of Quentin Tarantino’s handiwork, and so the thought comes to mind that “Bad Times at the El Royale” would be the latest film in his pantheon of this genre.

The guess is a good one but Drew Goddard, serving as writer and director, is the creative force behind the weird story of strangers meeting at a rundown hotel with a dark past that literally straddles the state line between Nevada and California.

From initial appearances, the El Royale in 1969 has the look of the kind of place that should be avoided, much like how Janet Leigh’s Marion Crane should have stayed clear of Norman Bates’ decrepit motel in “Psycho.”

Lost souls and other dubious types are drawn to this eerily mysterious place. The motel is managed by timid, nerdy Miles (Lewis Pullman) who is indifferent about his clientele and yet harbors secrets about how management expects him to keep an eye on guests.

Smarmy vacuum-cleaner salesman Laramie Seymour Sullivan (Jon Hamm), holds court in the motel lobby by offering cocktails and conversation with anyone who happens to wander into the El Royale. Oddly, he seeks to check in to one specific room for reasons unknown.

Arriving shortly after is Darlene Sweet (Cynthia Erivo), who may have once had a decent career as a soul singer but is now reduced to scrimping by on gigs in seedy Reno lounges.

Seemingly out of place for a priest, Father Daniel Flynn (Jeff Bridges) has picked a strange place to spend the night, but in his case appearances can be deceiving.

Sullen hippie chick Emily Summerspring (Dakota Johnson) arrives on the scene with a big chip on her shoulder. She has a strange connection to cult guru Billy Lee (Chris Hemsworth) who has a violent temper.

The volatile mix of motel patrons inevitably leads to violence and bloodshed. Only two people will get out of this mess alive, and so “Bad Times” delivers on its film noir promise.

This thriller is an intriguing bit of business with stolen money hidden under the floorboard of a motel room, kidnappings, an abundance of flashbacks, a creepy cult gathering, a continuous sense of foreboding, and a climax of brutal mayhem. “Bad Times at the El Royale” is a fascinating retro experience.



‘THE COOL KIDS’ ON FOX

Senior citizens can be good fodder for situation comedies. Think back to “The Golden Girls” more than a generation ago. The FOX television network is running with “The Cool Kids,” a new comedy about a group of feisty seniors living in a retirement home.

The humor is often quite predictable and formulaic, but why shouldn’t Baby Boomers have a series of their own. FOX gives “The Cool Kids” a slot on Friday nights, which seems appropriate because millennials are probably not tuning in on a weekend.

The stellar cast offers this program a chance to entertain. A group of male buddies led by gruff Hank (David Alan Grier) are mourning the loss of Jerry, the fourth member of the gang that has staked out its own table at Shady Meadows.

Martin Mull’s Charlie is a raconteur with a lot of wild, improbable stories about his glory days. Leslie Jordan’s Sid is a flamboyant character who apparently came out of the closet late in life and is making up for lost time.

As the friends ponder who should inherit Jerry’s seat at the table, pushy Margaret (Vicki Lawrence) muscles her way into the open spot much to the verbal protests uttered by the trio. She sets the tone with the retort, “Who are you? The Cool Kids.”

Margaret is a force to be reckoned with, and that’s where a lot of humor comes into play. Establishing her strong will, she beats Sid in a flash at arm wrestling. The opinionated Hank, full of bluster and bravado, is no match to her steely will.

As expected, Margaret gets her way and becomes one of the gang, and before long they challenge authority by rejecting the idea that a memorial service for Jerry would be an event with a “cheese plate and balloons.”

Show creator Charlie Day (“It’s Always Sunny in Philadelphia”) mentioned during the summer TV press tour that the objective was to avoid tired old people jokes and write about people of this age saying, “Hey, life isn’t over.”

On that score, “The Cool Kids” succeeds because the three guys and Margaret get embroiled in all sorts of wild adventures, from getting arrested for stealing a car to crashing a nightclub party after being rejected by the bouncer. Indeed, they’re looking for good time mischief.

In a sign of the times, “The Cool Kids” is raunchier than what was on network television three decades ago, but the wonderful cast knows how to deliver the laughs for biting retorts that range from mediocre to inspired lunacy. I’m looking to give this new series a chance.

Tim Riley writes film and television reviews for Lake County News.

Levi Lloyd. Courtesy photo.

LAKEPORT, Calif. – From 7 to 10 p.m. Saturday, Oct. 20, there will be an adult dance party at the Big Valley Hall, 1510 Big Valley Road at the Lakeport / Finley border.

This will be your last chance this year to gather with volunteers from Lake County Fire Recovery Benefits at the hall, which will be all "dressed up" for this early Halloween party.

Veteran blues guitarist and vocalist Levi Lloyd will be returning to Lake County, along with Ron Lacey on keyboards, Mark Chole on bass and Geoffrey Whyte on drums.

Lake County musicians were invited to sit in, including: Keith Crossan on sax, David Neft on keyboards, Rob Watson on bass, Howard Dockens on guitar, Dee Wils on vocals and Tim Peregrina on guitar.

Costumes will earn special treats at the door and may win one of several prizes, so don't be afraid to get creative.

Musical selections will tap into classic rock, blues, R&B and funk, so get ready to dance your cares away. Most exciting and original dance moves can also earn recognition and a small prize.

Drinks for sale will include: wine donated by Don Angel Cellars, Cache Creek Vineyards, and Shannon Ridge Family of Wines; beer donated by Coors and Lagunitas Brewing; flavored sparkling water donated by Crystal Geyser, spring water and soda.

From 7 to 8:30 p.m., hall members will be selling beef and vegetarian lasagna, garlic bread and salad for $12.

Bring cash or checks for the raffle and silent auction which includes gift certificates, wine, jewelry, household items and more. Entry is $10 at the door.

Brad White Blues Productions has become the sole sponsor and members of the Big Valley Hall have agreed to waive venue rental fees. So, all proceeds will be sent to the NCO Wildfire Fund for Lake County for the Mendocino Complex fire survivors.

Additional information is on Facebook at Lake County Fire Recovery Benefits or phone 707-278-7126.

Ted Kooser. Photo credit: UNL Publications and Photography.

I love this short poem, which collects a fried chicken bucket of all too many dreary details and dresses them out in graceful formal rhyme.

It's by Matthew Buckley Smith, who lives in North Carolina, and is from the Fall, 2017, issue of Rattle, one of the best of the contemporary literary journals.

His most recent book of poems is “Dirge for an Imaginary World,” published by Able Muse Press.

Undergrads

The place we lived was only an idea,
Nothing to do with the failed cotton mill town
Where a record shop, some bars, and a pizzeria
Were all we ever cared to call our own.

From nightmares of a happy life with kids
We'd wake in boozy sweat to find the floor
Still cobbled with bottle caps and take-out lids,
Our twenties crumpled safely in a drawer,

Unspent like all the hours ahead that night
We met each other in the common room
And found somehow without the help of light
Our way across the river by the time

Dawn spilled down from the campus to the banks
We'd come to, single, sobered-up again,
To see the morning glories give their thanks
For things we had, and hardly noticed, then.

American Life in Poetry does not accept unsolicited manuscripts. It is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2017 by Matthew Buckley Smith, "Undergrads," from Rattle, (No. 57, Fall, 2017). Poem reprinted by permission of Matthew Buckley Smith and the publisher. Introduction copyright ©2018 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

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