Arts & Life
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- Written by: Middletown Art Center
MIDDLETOWN, Calif. — This Saturday, Aug. 9, from 7:30 to 10:30 p.m. come out to the Middletown Art Center for a night of contemporary underground dance music straight out of the United Kingdom.
DJs Ami and Nick deliver an energized dance party, with beats, rhythms, and sounds from UK Garage (UKG), Bassline and House tracks.
Whether you love electronic music or you just want to get down and groove, this party promises hot fun in the summertime.
UK Garage, played in dance clubs worldwide, is a mash-up of house and bass music, borrowing heavily from jungle and incorporating elements of R&B and reggae. There will be bass!
Young in Lake County and looking for a party? You are invited to come dance with them. Dance to city club sounds in this small country town.
Ami Verhey is an emerging DJ, a Middletown High and UC Davis graduate currently working on his master’s in wildlife ecology at Cal Poly Humboldt. Nicholas Hay is a veteran L.A. and local DJ and head gardener at Harbin Hot Springs.
“I am always excited to showcase current dance-focused music here at home,” said Verhey. “We need more quality exposure to contemporary music and culture here in Lake County.”
Suggested donation is $10; $5 for ages 18-25; high school students, and younger free or by donation. No one turned away for lack of funds. Multiple generations and families are welcome. Movies in the back for kids.
First 20 guests get a free beverage, and ALL guests receive a free raffle ticket for THERE WILL BE BASS T-shirts! Beverages/snacks for purchase—non-alcoholic or beer/wine (21+ with ID).
Experience the contemporary sounds, rhythms, and beats that are moving people across the world, right in the heart of Middletown.
Middletown Art Center is a nonprofit dedicated to engaging the public in art making, art education, and art appreciation, and providing a platform for diverse voices and perspectives, striving to create an inclusive and accessible space for all.
To learn more and donate to support this or other MAC arts and cultural programs, visit middletownartcenter.org. For inquiries or further information, please contact the Middletown Art Center at 707-355-4465 or email
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- Written by: Tim Riley
‘BALLARD’ ON AMAZON PRIME
A prolific author of detective novels and crime fiction, Michael Connelly has a legion of fans not only for his books but for the television series “Bosch,” Bosch: Legacy,” and “The Lincoln Lawyer.”
With 41 bestselling novels to his credit, it does not appear the 69-year-old author is slowing down any time soon. His Mickey Haller, the Lincoln Lawyer, is back with a case in “The Proving Ground” novel due in October.
This year also brought the release of “Nightshade,” an introduction to a new cop with Los Angeles County Sheriff’s Detective Stilwell exiled to a low-key post on Catalina Island, after department politics drove him off a homicide desk on the mainland. Could this augur a future television series?
Several Connelly novels featured LAPD detectives Renee Ballard and Harry Bosch working together to hunt killers, from the “Desert Star” search for a man murdering an entire family, to “The Night Fire” in which Ballard and Bosch become an investigative team.
Now streaming on Amazon Prime is “Ballard,” starring Maggie Q as Robbery-Homicide detective Renee Ballard, who is about as popular with the department bureaucracy as Scottish detective Carl Morck (Matthew Goode) is with his own in “Dept. Q,” which was reviewed last week.
The connection between “Ballard” and the “Bosch” universe is unambiguous, given the literary existence of the two detectives working together, and yet they never came in contact during the television series until the last episode of “Bosch: Legacy.”
We first saw Maggie Q’s Ballard when she entered uninvited into Bosch’s private investigator office, demanding he return the files she accused him of purloining. It looked like the start of a contentious relationship.
The investigation was a cold case into the murder of one of the young girls that Bosch was unwilling to forget, even after leaving the police force. This case involved a firefighter suspect returning to Los Angeles after a dozen years.
After a reluctant but effective partnership to nab the murderer, Ballard and Bosch exchange compliments for good work. Prophetically, Bosch proclaims, “Maybe somewhere down the line we’ll get to work together again.”
With its provenance to the Michael Connelly literary sphere, “Ballard” most appropriately draws in a few familiar faces from the “Bosch” domain, including the lovable retired LAPD curmudgeons Crate and Barrel.
As a result of getting on the wrong side of the insular LAPD culture, Ballard is ostracized by friends and colleagues for lodging an attempted sexual assault complaint against a senior officer who is seemingly an untouchable insider. Never mind that Ballard is one of LAPD’s finest detectives.
Banished to a file room in the basement of the LAPD training center, Ballard is left to her own devices to put together a team, getting help from Councilman Jake Pearlman (Noah Bean) for some funding, as he has a personal interest in the twenty-year old cold case of his murdered sister.
Ballard’s former partner in the Robbery-Homicide division, Thomas Laffont (John Carroll Lynch), comes out of retirement to join the cold case task force. He provides a steady presence inside a somewhat hectic team.
An eclectic group of volunteers form the backbone of the cold case unit. Colleen Hatteras (Rebecca Field) is most energetically enthusiastic, relying on intuition and new age superstitions to postulate her crime theories, which are not necessarily off-base.
College student intern Martina Castro (Victoria Moroles) is studying law with a perspective on crime that may be unorthodox to some. Ted Rawls (Michael Mosley), wealthy owner of a security firm and acting as a watchdog for the interests of his friend the Councilman, joins the team as a reserve LAPD officer.
To round out the crew, Ballard pursues Samira Parker (Courtney Taylor), formerly an investigator on an LAPD cold case, who resigned from the force after a brief, unpleasant stint as a Robbery-Homicide detective. Only Ballard’s persuasive power brings Samira back into the fold.
It’s not all about sleuthing for Ballard. She shares a waterfront double-wide trailer home on the Malibu beach with her grandmother Tutu (Amy Hill), and clears her head from the heavy workload with early morning surfing sessions that also allow her to remember with admiration her late father.
“Ballard” is not just about the police work on forgotten cases. The storyline takes a deep look into complex issues, ranging from corruption to sexual improprieties to a culture rife with convolutions that go beyond the usual, perfunctory themes of cop dramas.
Unquestionably in this reviewer’s perspective, “Bosch” and “Bosch: Legacy” rate highly in the pantheon of police procedurals as among the best of all time TV shows. “Ballard” shows promise to create a trifecta of remarkably essential and laudatory entertainment.
Without disclosing the slightest hint of how the first season’s cliffhanger concludes, suffice it to say that a failure of “Ballard” to come back for a second turn would be an unforgivable crime. We just can’t be left hanging.
Tim Riley writes film and television reviews for Lake County News.
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- Written by: Elizabeth Larson
COBB, Calif. — An evening of fine food and drink, music and community spirit in support of the Lake County Passion Play Fundraiser will be held on Friday, Sept. 13, at 4 p.m. at Château Grenouille on Cobb Mountain.
Guests will enjoy a delicious New York strip roast dinner accompanied by appetizers, dessert and a fine selection of beverages, including many local wines.
The event also features a silent and live auction, offering a variety of unique items and experiences.
Top the night off with live music and dancing featuring the popular local band Fogg Revisited.
Tickets are $80 per person or $600 for a table of eight. All proceeds directly support the Lake County Passion Play, a powerful live reenactment of Christ’s life from the Last Supper through His resurrection.
Celebrating over 40 years, the Lake County Passion Play is the only outdoor production of its kind in the United States, and is a cherished cultural and spiritual tradition in the region.
This fundraiser offers a wonderful opportunity to support a one-of-a-kind community event while enjoying a magical evening in one of Lake County’s most picturesque settings.
For more information or to purchase tickets, contact Lisa Lambert at 707-245-7281 or Laura Ewing Barnes at 707-533-3406.
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- Written by: Tim Riley
‘DEPT. Q’ ON NETFLIX
The benefit of streaming series is the lack of necessity to jump right in within days of its launch. Netflix, among other streaming services, curates its new series to allow time for the binge-watch experience.
“Dept. Q,” much like other police procedurals, may be consumed in the short order of however quickly one wishes to watch all nine episodes. This drama series, set in Scotland, is a worthy candidate for a marathon commitment.
The main character, Detective Chief Inspector Carl Morck (Matthew Goode), is a miserable misanthrope. If he were a physician, his bedside manner would be no more pleasing than that of Jack the Ripper. His police colleagues think of him as a jerk, only in words expressed profanely.
The series opens at a crime scene where Morck is joined by detective James Hardy (Jamie Sives) and a patrol officer to examine a man stabbed in the head. A masked man appears from the shadows and starts shooting.
The patrol cop’s body camera captures the shooting spree, resulting in his death, with Hardy being paralyzed and Morck surviving a bullet passing through his neck. A few months later, Morck is ready to return to work after going through a medical evaluation.
Not having been humbled by a near-death experience, Morck is still a pain to his superiors. His boss, Moira Jacobson (Kate Dickie), finds out that a new department is being set up to handle cold cases. What better way to not deal with Morck than to send him to a basement office.
Meanwhile, during a high-profile murder trial, prosecutor Merritt Lingard (Chloe Pirrie) is floundering during the proceedings and losing the faith of her superiors. She’s also being threatened by anonymous text messages.
The prosecutor disappears on a ferry boat ride, and her mentally disabled brother (Tom Bulpett) who is along for the journey offers no clues. The timing may seem odd, but Merritt’s vanishing turns out to be a cold case.
At Morck’s office, boxes of cold cases show up, and his assistant Akram (Alexej Manvelov), a Syrian tech contractor, ends up picking the case of the woman who went missing without a trace four years ago.
“Dept. Q” is a gritty crime thriller, and as such, it goes down some dark alleys, which frankly seem suitable terrain for the grumpy detective, who on occasion still has to endure some counseling from therapist Dr. Rachel Irving (Kelly Macdonald).
The primary case being investigated by Morck and Akram, who are joined by ginger-haired Rose (Leah Byrne) as a result of being sidelined from her job as constable, takes a lot of twists and detours.
While the case work is acutely intense and thorny at times, what really works best here is driven by complex characters, from Morck’s brash arrogance and biting sarcasm to Akram’s probing efficiency and Rose’s pluck.
There is another new streaming series involving a cold case department at the Los Angeles Police Department, with a somewhat analogous premise of a troublesome detective banished to the bowels of police headquarters for a similar assignment. More about that in a future column.
‘WE WERE LIARS’ ON AMAZON PRIME
In Amazon Prime’s “We Were Liars,” the Sinclair family, ruled by the media magnate Harris Sinclair (David Morse), includes three adult daughters and their offspring who enjoy the life of East Coast royalty during the summer months on their private island.
A terrible accident happens during “Summer 16” when Cadence Sinclair Eastman (Emily Alyn Lind) has a terrible near-death drowning near a rocky shoreline, resulting in a severe case of amnesia.
Prior to the accident, Cadence spends the summer with her best friends who call themselves the “The Liars.” The group consists of cousins Mirren Sinclair Sheffield (Esther McGregor) and Johnny Sinclair Dennis (Joseph Zada), and friend Gat (Shubham Maheshwari).
Cadence’s mother Penny Sinclair (Caitlin FitzGerald) is recently divorced. Mirren’s mother Bess Sinclair (Candice King) is estranged from her husband, and Carrie Sinclair (Mamie Gummer) has an addiction problem.
When “Summer 17” arrives, Cadence is desperately trying to find out about the cause of her brain injury, and no one is willing or able to shed light on what really happened.
Meanwhile, Cadence had moved past the platonic stage with childhood friend Gat, whose Indian heritage doesn’t sit too well with Harris. The test of “Summer 17” is for Cadence to get answers, which are not forthcoming.
What’s more interesting than teenage angst and mischief are the strained relationships of Carrie, Penny and Bess, who must face unpleasant truths about their privileged heritage.
When a character in the last episode says she’s not into fairytales any more, that’s a feeling that rumbled through my mind in the early stages, which is one argument for “We Were Liars” to have clocked in like a two-hour movie.
A dynasty of rich white people cavorting during idle summers on a private island off the Atlantic coast holds not much interest over the long haul as things become a bit tedious and repetitive.
Tim Riley writes film and television reviews for Lake County News.
