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Arts & Life

Writers workshop grant is renewed

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Written by: Editor
Published: 24 September 2014

LAKE COUNTY, Calif. – For the sixth year, the Writers Circle, a free public writing workshop in Lakeport, has been funded by the national organization, Poets and Writers. 

The workshop is sponsored by the Lake County Arts Council, which hosts workshop at the Main Street Art Gallery, 325 N. Main St., at 6:30 pm., on the first Thursday of each month.

Residents from all over Lake County attend the Writers Circle and join other writers who share memoirs, fiction, essays or poems they have written – or just listen and get inspired. 

Writers who are more seasoned join with beginning writers to offer feedback, build skills and find new ideas. 

Aged 19 to 90, some people come only one or two times, and others show up every month.

The workshop is facilitated by former Poet Laureate Mary McMillan.

Poets and Writers supports the workshop through a grant it has received from the James Irvine Foundation.

For more information contact Mary McMillan at This email address is being protected from spambots. You need JavaScript enabled to view it..

Auditions planned for 'Jesus Christ Superstar'

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Written by: Editor
Published: 23 September 2014

LAKEPORT, Calif. – Auditions for the rock opera “Jesus Christ Superstar” are scheduled for Tuesday, Nov. 4, and Friday, Nov. 7, from 7 to 9 p.m.

Singers are needed in all voice categories. All roles are open including the chorus, and all roles are open to men and women.

The musical will be staged at the Soper Reese Theatre in Lakeport.

Performance dates are March 20 to 22, March 27 to 29 and April 2 to 4.

Rehearsals will occur on Monday, Tuesday and Wednesday with some weekend dates. The full cast is not needed at all rehearsals.

Those wishing to audition should prepare a two minute musical selection from one of the following:

– One of these five songs from Jesus Christ Superstar: “Pilate’s Dream,” “Heaven on Their Minds,” “Gethsemane,” “I Don’t Know How to Love Him” or “Herod’s Song.” Piano accompaniment will be provided.

– A song of choice with auditioner’s own CD or other accompaniment.

For more information on the auditions, contact Linda Guebert, artistic director, 707-279-4272 or This email address is being protected from spambots. You need JavaScript enabled to view it. .

Those wishing to audition are strongly encouraged to attend the “How to Audition” workshop at the Soper Reese Theatre on Saturday, Oct. 25, at 2 p.m.

For more information on the workshop, contact Nick Reid, 707-349-2045, This email address is being protected from spambots. You need JavaScript enabled to view it. .

The theater is located at 275 S. Main St. in downtown Lakeport.

 

American Life in Poetry: Work Boots: Still Life

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Written by: Ted Kooser
Published: 22 September 2014

tedkooserchair

One of Grant Wood’s earliest paintings is of a pair of old shoes, and it hangs in the art museum in Cedar Rapids, Iowa, where Wood grew up.

Here’s a different kind of still life, in words, from Jim Daniels, who lives in Pittsburgh.

The shoes we put on our feet gradually become like the person wearing them.

Work Boots: Still Life

Next to the screen door
work boots dry in the sun.
Salt lines map the leather
and laces droop
like the arms of a new-hire
waiting to punch out.
The shoe hangs open like the sigh
of someone too tired to speak
a mouth that can almost breathe.
A tear in the leather reveals
a shiny steel toe
a glimpse of the promise of safety
the promise of steel and the years to come.

American Life in Poetry is made possible by The Poetry Foundation ( www.poetryfoundation.org ), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem reprinted from Show and Tell, Univ. of Wisconsin Press, 2003, courtesy of the University of Wisconsin Press. Copyright 2003 by the Board of Regents of the University of Wisconsin System. Jim Daniels’ most recent book of poems is Birth Marks, BOA Editions, Ltd., 2013. Introduction copyright 2014 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. They do not accept unsolicited manuscripts.

Old spy game tricks revived in 'The November man' thriller

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Written by: Tim Riley
Published: 20 September 2014

THE NOVEMBER MAN (Rated R)

The fact that Pierce Brosnan portrayed James Bond in several installments of the famous spy thriller franchise in the 1990s makes him a good choice to play a secret agent in the present day who reluctantly comes out of retirement for one final mission.

“The November Man,” in which Brosnan’s Peter Devereaux is a retired CIA agent living peacefully in Lausanne, Switzerland, is based on Bill Granger’s novel “There Are No Spies,” and since the author has penned other novels in the series, maybe this is the start of another spy franchise.

The temptation is clearly evident to say that Brosnan’s CIA agent is a reformulation of James Bond or Jason Bourne.

Yet, it’s a younger man’s game for those well-recognized spies. Here, Brosnan is more like the tough guy Liam Neeson has become since his role in the thrilling “Taken” franchise.

If Pierce Brosnan returns in sequels to “The November Man,” the motto of “Old Guys Rule” may become something more than an expression of wishful thinking on ball caps and T-shirts. By all accounts, much like Liam Neeson, Brosnan has the chops to be ruthless and hard-hitting.

The spy thriller opens in Montenegro in 2008 with Devereaux and his young CIA protégé, agent David Mason (Luke Bracey), involved in protecting the American ambassador from an assassination attempt, which results in the unfortunate death of a young girl as collateral damage.

The action shifts to five years later at a lakefront café in Lausanne, where Devereaux’s carefree existence is interrupted by the arrival of old colleague, John Hanley (Bill Smitrovich), who insists that the retired agent must help extract a woman under deep cover in the Kremlin.

Devereaux’s reasons for rejoining the agency for a dangerous mission is, like many things, not immediately known. But valuable information about a former Russian general now a rising politician who could become the next president presents an imperative.

The Russian in question, Arkady Federov (Lazar Ristovski), is corrupt and dangerous. As an Army general in the Chechnyan conflict, Federov was engaged in serious war crimes and had abducted young girls for human trafficking in sex slavery. The missing Mira Filipova holds very incriminating evidence against Federov.

The mission in Moscow to extract American deep asset Natalia (Mediha Musliovic) goes horribly wrong, and Devereaux ends up in a shootout with a team of CIA agents chasing after him and the Russian secret police trying to stop Natalia.

Devereaux discovers that his former protégé David Mason has unfortunately been ordered to take him out. The man who was once the hunter has now becomes the hunted. Mason is deadly and determined, having learned well from his former mentor.

The resulting cat-and-mouse game between the old and new guard in the spy ranks sets up a good contest. As Devereaux closely trained Mason and shaped into what he is today, both men are evenly matched as they each other’s strengths and weaknesses.

The escalating battle is orchestrated by others in the shadowy ranks of the CIA, including efforts by master manipulator Hanley using highly questionable methods that are overseen by Perry Weinstein (Bill Patton), who has no qualms about using harsh powers of persuasion to spur Mason on in a quest to eliminate Devereaux.

The chase ends up in the Serbian capital of Belgrade, where Devereaux comes into contact with social worker Alice Fournier (Olga Kurylenko, a former Bond girl in “Quantum of Solace”), who not only helps young girls fleeing sexual slavery and human trafficking but may be the key to finding the missing Mira Filipova.

When it becomes apparent that Alice knows too much, her life is in danger, and only Devereaux can protect her.

A ruthless Russian female agent starts to kill anyone looking into Federov’s activities, including a journalist who senses that he’s on track for a big story.

The grizzled veteran spy has to dodge bullets and double-crosses, while the bodies start piling up in this hard-edged, violent thriller at an alarming pace that is only rivaled by serial killing favored by the cheesiest of horror flicks.

Though “The November Man” is somewhat predictable and sometimes lacks coherence, there are key elements of surprise that bring delight.

This is an end-of-summer popcorn action film that, even though it wishes to explore moral quandaries, makes no pretense in the end of its objective of being an entertaining thriller.

Nearing an age to qualify for Social Security, Pierce Brosnan, like many other colleagues of his generation, is still very credible for being the action hero.

Watching him engaged as the conflicted good guy capable of delivering the goods makes “The November Man” a decent pleasure for those who enjoy the spy genre.

Tim Riley writes film and television reviews for Lake County News.

  1. The Tubes to headline at Cobb Mountain Daze
  2. American Life in Poetry: September Tomatoes
  3. ABC taps into diversity, drama and comedy for the fall

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